Entertainment Spotlight

Actor Tim Lounibos - Hopeful Opportunities Ahead for APA's in Hollywood Movies and Television

Posted by AC Team - on Tuesday, 08 October 2019

Actor Tim Lounibos - Hopeful Opportunities Ahead for APA's in Hollywood Movies and Television
October 8, 2019 Hollywood   Actor Tim Lounibos wrote on his Facebook page  about the positive changes he is currently experiencing in Hollywood. We caught up with him to share his thoughts with us. Asian Americans have historically found limited opportunities as actors in movies and television in Hollywood, but fortunately for Tim he had a great start as a busy actor in the 1990s, but then his career went off a cliff - temporarily.  We thank Tim for sharing his...

Asian American International Film Festival '08, July 10–19, 2008

Posted by AC Team on Tuesday, 01 July 2008.

Asian American International Film Festival '08, July 1019, 2008

This year's lineup for the Asian American International Film Festival '08 (AAIFF), presented by Asian Cinevision with Asia Society and sponsored by Toyota Matrix includes one world premiere, two U.S. premieres, six East Coast premieres, and seven New York premieres. Debuting a new interdisciplinary program in 2008, Asian CineVision also presents New Landscapes: Media and Its Adaptations, a series of panels examining issues relevant to Asia and Asian diasporas. Representing the latest and best in Asian and Asian American filmmaking, AAIFF will run from July 1019, 2008, at the Asia Society (725 Park Avenue at 70th Street).

The Festival opens on Thursday, July 10 at 7:30PM with PRINCESS OF NEBRASKA, marking acclaimed director Wayne Wangs return to indie filmmaking. Making its East Coast debut at AAIFF, PRINCESS OF NEBRASKA stars newcomer Li Ling in a stunning performance as Sasha, a pregnant teenager who travels to San Francisco from Omaha seeking an abortion. Shot through the kinetic lens of cinematographer and co-director Richard Wong, Sasha's vanity and recklessness is portrayed with great intimacy, but she remains emotionally aloof and unpredictable. For director Wang, this paradox is the hallmark of a new generation of post-Tiananmen Square Chinese youthendlessly self-documenting with cell phones and computers, while embracing a sense of historical amnesia and emotional instability. Based on a short story by Yiyun Li, the film observes the conflicted emotional landscape of a young woman at a crossroads. Sasha is neither an ingnue nor a fallen woman, but a fiercely independent creature. A gala reception will follow the screening. Director Wang will also be participating on a panel, "On Asian/American Aesthetics" moderated by film critic Dennis Lim and invited panelists architect Billie Tsien and artist Paul Pfieffer on Saturday, July 12 at 3:45PM.

The Festival closes on Saturday, July 19 at 7:00PM with PING PONG PLAYA, the first narrative feature film from director Jessica Yu, whose BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN won the 1997 Academy Award for Best Documentary Short. A departure from Yu's more serious fare, PING PONG PLAYA is a lighthearted comedy following a young mans efforts to protect his familys table tennis empire. Christopher "C-dub" Wang (Jimmy Tsai) is a suburbanite who sports an urban swagger, waxes political on all things Asian American, and clings to pipe dreams of a career in pro basketball. He remains disinterested in ping pong, though his family's livelihood revolves around it. But when a car accident injures his mom and brother, C-dub is forced to teach a ping pong class of misfits, defend his brother's title in a National Tournament, and protect the family dynasty. In this charming slapstick comedy spiked with wicked banter and visual puns, Yu remains devoted to the pursuit of fun while tapping the contemporary culture of Asian American youth. The filmmaker discusses her creative process in an intimate "One On One with Jessica Yu," Saturday, July 19 at 1:45PM.

On Thursday, July 17 at 6:30PM. the U.S. premiere of THE SPEED OF LIFE, directed by Ed Radtke is the featured Centerpiece Presentation. The film focuses on Sam, a 13-year-old boy, who escapes the streets of New York City by stealing video cameras from tourists. While his friends are content with simply pawning the stolen goods for spending money, Sam secretly keeps the tapes. He watches the footage, fascinated by far away places and seemingly happy lives. Wavering between fantasy and the harsh reality of life in Brooklyn, he soon discovers that cameras can flyeven if people cannot. Originally titled SUPERHEROES, THE SPEED OF LIFE builds around the idea of ordinary people in extraordinary circumstances. Elements of fantasy and gritty realism interplay while multiple shooting formats and layered narratives altogether create an engrossing story with a distinctly indie feel.

At the Closing Night ceremony on July 19, AAIFF will present awards in seven categories: a juried award for Emerging Director, both Narrative and Documentary; Audience Awards for both Narrative and Documentary; a juried award for Excellence in Short Filmmaking; a One to Watch Award, open to all youth-made films in the For Youth By Youth program; and juried Screenplay Competition. Nominees for the Emerging Director Award for Narrative include: director Kenneth Bi for THE DRUMMER, director Liew Seng Tat for FLOWER IN THE POCKET, director Li Lin Wee for GONE SHOPPING, director Jennifer Phang for HALF-LIFE, and director Ron Morales for SANTA MESA. Nominees for the Emerging Director Award for Documentary include: director Ann Kaneko for AGAINST THE GRAIN: AN ARTIST'S SURVIVAL GUIDE TO PER, director Derek Shimoda for THE KILLING OF A CHINESE COOKIE, and director Risa Morimoto for WINGS OF DEFEAT.

AAIFFs 2008 line-up will also include the following Feature Film selections:

NARRATIVE:
ALWAYS BE BOYZ (East Coast premiere), directed by John Kwon. In his debut feature, John Kwon brings a vibrant and stylized look to Korean b-boy culture. Seven is the leader of a breakdance crew looking to compete at the Battle of the Year tournament, but the lack of a corporate sponsorship and his team members injuries seem to impede on his dreams. Can Seven still make his goal? Fri 7.11 | 645P
THE DRUMMER, directed by Kenneth Bi. Part spiritual journey and part gangster drama, THE DRUMMER follows Sid, a smart-mouthed youth whos brash ego always manages to get him in trouble. When he gets mixed up in the business of a powerful triad boss, his father pulls him from the fast-paced city life of Hong Kong and sends him to Taiwan, where he discovers Zen drumming and rediscovers himself. Sat 7.19 | 415P
FLOWER IN THE POCKET (East Coast premiere), directed by Liew Seng Tat. Ma Lih Ahh and Ma Lih Ohm roam the streets after school, delighting in small adventures and befriending bossy tomboy Ayu. Meanwhile, their father loses himself among the broken mannequins he repairs. He is helpless to close the gulf between himself and his children. Sun 7.13 | 915P
GONE SHOPPING (U.S. premiere), directed by Li Lin Wee. Sprawling megastructures of glass and steel, shopping malls represent modernity and wealth in Singapore. For Clara, a 40-year-old tai tai, or wife of leisure, shopping is a way of life; for 23-year-old Aaron, it is an escape from the monotony of corporate life. Meanwhile, a lost eight-year-old terrorizes a security guard while waiting for her parents. These lonely figures occasionally cross paths, but it is with some difficulty that they form any real connections. Wed 7.16 | 930P
HALF-LIFE, directed by Jennifer Phang. The visually mesmerizing HALF-LIFE explores a complacent suburban communitys struggle to adapt to a changing world where global crises threaten to alter life as they know it. In the face of catastrophe, Pam and her brother Timothy must take control of the chaos around them. Sat 7.12 | 915P
KISSING COUSINS (New York premiere), directed by Amyn Kaderali. As a "relationship termination specialist," 29-year-old Amir zips around Los Angeles doing his clients' dirty work for them in exchange for a fee. Just when his friends tire of his bachelor antics, Amir's cousin Zara helps relieve his reputation as a romantic pariah. Wed 7.16 | 630P
OPTION 3 (East Coast premiere), directed by Richard Wong. Sam's girlfriend, Jessica, has mysteriously disappeared. An ominous caller instructs Sam to complete a series of tasks in order to secure Jessicas safety. OPTION 3 explores the desperation of loss, and the elation of rediscovery. Fri 7.11 | 930P
PRETTY TO THINK SO (East Coast Premiere), directed by Steve Hahn and Frances Hsueh. Hanna returns to New York only to discover that she has been laid off from her job as an analyst at an investment banking firm. Listless and lonely, she meets Jiwon, a handsome and ambitious lawyer. Through him, she reconnects with a childhood friend and soon finds herself living between past and present, old love and new. Fri 7.18 | 915P
SLINGSHOT, directed by Brillante Mendoza. In the urgent, digital-video style of Paul Greengrass's BOURNE ULTIMATUM, director Brillante Mendoza steps squarely into the slums of Manila. This atmospheric film flows with thieves, junkies, and locals, who steal, cheat, and lie to survive. Unfortunately, their desperation carries a cost. Sat 7.12 | 345P

DOCUMENTARY:
AGAINST THE GRAIN: AN ARTIST'S SURVIVAL GUIDE TO PER (East Coast premiere), directed by Ann Kaneko. From 1990 to 2000, the controversial President Alberto Fujimori ruled Peru with an iron fist. For every artist, the need to create and be heard is as basic as food and shelter. But in a country where the state clamps down on free thinkers, artists live in fear, often suffering the greatest blows. Thu 7.17 | 915P
BEYOND FEAR (New York premiere), directed by Michael Perlman. Nwang, a nun, and Bagdro, a monk, are just two of many imprisoned and tortured for seeking a free Tibet. They are among the few who survived to recount the story. This film will be screened with WOMEN OF TIBET: A QUIET REVOLUTION (East Coast premiere), directed by Rosemary Rawcliffe. More than 15,000 Tibetan nuns participated in a 1959 nonviolent protest of Chinas rule over Tibet. The few who survive recall the event, almost fifty years later. Sat 7.19 | 100P
GRANDMOTHER'S FLOWER, directed by Jeong-hyun Mun. Jeong-hyun Mun fulfills his mother's wish with this film about his ailing grandmother, Soon-rae. Along the way, he discovers painful family secrets and a hidden chapter of Korean history. Supporters of democracy from the Korean War are regaled, but little is known of those who backed socialism. Muns documentary investigates a complex history linking the repercussions of Japanese colonialism and the Korean War to his family memories. Sun 7.13 | 330P
THE KILLING OF A CHINESE COOKIE (New York premiere), directed by Derek Shimoda. By examining the roots of the fortune cookie and its role in American pop culture, this documentary reveals a history of Chinese American and Japanese American communities in Southern California. Sat 7.12 | 100P, Mon 7.14 | 730P at Maysles Cinema
LONG STORY SHORT (New York premiere), directed by Christine Choy. Weaving a story about her family's struggles as Asian Americans and performers, Jodi Long documents her parents careers in American show business. She touches on what it means to perform racial identity, and what it means to be an Asian American performer. Sun 7.13 | 630P
MEGUMI (New York premiere), directed by Mirjam van Veelen. On November 15, 1977, Megumi Yokota was snatched from the coast of Japan and taken to North Korea to be used as part of a North Korean espionage plan. The fate of other kidnapping victims has recently been revealed, but that of Megumi remains a mystery. The North Korean government insists she is dead, but Megumis family believes this is a lie. Powerful and moving interviews give evidence that Megumi may very well be alive. Fri 7.18 | 630P
WINGS OF DEFEAT, directed by Risa Morimoto. Through close interviews, archival footage, and animation, director Risa Morimoto complicates the image of the kamikaze as fanatical patriots, revealing that hundreds of kamikaze pilots in fact survived their missions. Their stories provide a poignant look at the desperation of a nation which sent its youth on suicide missions. Interweaving personal experiences with the larger historical narrative, Morimoto examines the moral decisions these men were grappled with. Tue 7.15 | 700P
WINGS OF DEFEAT: ANOTHER JOURNEY, directed by Risa Morimoto. As an epilogue to her engrossing feature documentary WINGS OF DEFEAT, director Risa Morimoto brings two U.S. Navy veterans, Fred Mitchell and Gene Brick, to meet their former enemiesJapanese kamikaze pilots. In August 2007, Morimoto traveled to Japan with Fred and Gene, introducing them to three former kamikaze pilots, filming their historic encounters. The American and Japanese veterans, now in their 80s, sit down to ask each other tough questions, resulting in a new-found mutual respect. Tue 7.15 | 915P

Asian American International Film Festival
Tickets Members of Asian CineVision, Asia Society & valid NYU ID-holders | $7
Students, Seniors & Partner Organizations | $9 (limit 1 per ID)
General | $11
Opening Night Presentation: THE PRINCESS OF NEBRASKA + Gala
General Admission $60 | Members $40 | Gala only $35
Centerpiece Presentation: THE SPEED OF LIFE
General Admission $15 | Members $12
Closing Night Presentation: PING PONG PLAYA + Awards Ceremony
General Admission $30 | Members $20
Box Office: 212.327.9385 / asiancinevision.org

ABOUT THE ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL (AAIFF)
Since 1978, the Asian American International Film Festival (AAIFF) has introduced new works by Asian and Asian American filmmakers to a s curious audience of cultural enthusiasts. Premiering the works of then unknown directors such as Mira Nair (SO FAR FROM INDIA, AAIFF83), Ang Lee (FINE LINE, AAIFF 85), Wayne Wang (CHAN IS MISSING, AAIFF82), Park Chan-wook (JSA, AAIFF01) and Justin Lin (FINISHING THE GAME, AAIFF07), the AAIFF was the nation's first annual festival dedicated to screening works by media artists of Asian descent and films about the Asian community. It continues to be a leading showcase for independent Asian and Asian American film and video. For more information visit us online at asiancinevision.org.

ABOUT ASIAN CINEVISION (ACV)
Asian CineVision, Inc (ACV) is a not-for-profit national media arts organization dedicated to the development, promotion and preservation of film and video arts by and about people of Asian descent. Founded in 1976 by Hong Kong cinema legend Tsui Hark (ONCE UPON A TIME IN CHINA), Oscar-nominated director Christine Choy, Danny Yung and Peter Chow, ACV began as a media activism organization. The organization continues to serve the Asian American community by promoting the works of Asian and Asian American filmmakers, and providing a window to the diverse experiences and livelihoods of the Asian diaspora. For more information, visit asiancinevision.org.

ABOUT ASIA SOCIETY
Asia Society is the leading global and pan-Asian organization working to strengthen relationships and promote understanding among the people, leaders and institutions of the United States and Asia. Founded in 1956 by John D. Rockefeller III, the Society reaches audiences around the world through its headquarters in New York and centers in Houston, Los Angeles, San Francisco, Washington, DC, Hong Kong, Manila, Melbourne, Mumbai, Seoul, and Shanghai. For more information, visit asiasociety.org.

ABOUT TOYOTA MOTOR SALES, U.S.A., INC.
Toyota Motor Sales (TMS), U.S.A., Inc. is the marketing, sales, distribution and customer service arm of Toyota, Lexus and Scion. Established in 1957, TMS markets products and services through a network of more than 1,400 Toyota, Lexus and Scion dealers. Toyota directly employs over 36,000 people in the U.S. and sold more than 2.6 million vehicles in 2007. For more information about our company, please visit toyota.com, lexus.com, and scion.com.