“The early Sixties have been good to me lately,” said Darren Pettie, whose diverse roles circa 1960′s include his turn as Lucky Strike scion Lee Garner, Jr. in several episodes of the critically acclaimed and award winning AMC TV series “Mad Men”; as James in Atlantic’s Off-Broadway production of Harold Pinter’s The Collection penned in 1961; and as Christopher Flanders in the Roundabout Theatre Company’s current production of Tennessee Williams’ The Milk Train Doesn’t Stop Here Anymore, with Olympia Dukakis, set in 1962. 

Erik Haagensen of

As violence is escalating against journalists working in war-torn countries, low profile or nearly invisible still and video cameras, and content capture and distribution technologies are becoming necessary survival gear.

  The Committee to Protect Journalists has reported an unprecedented number of casualties: eleven journalists have been killed this year worldwide, eight of the eleven in the Middle East, one in Vietnam, one in the Philippines, and one in Mexico. CPF reports that there have been more than 300 attacks on journalists covering the recent political unrest in the Middle East.

CNN's Anderson Cooper and his camera crew were attacked by pro-government supporters on February 2, 2011 in Cairo while covering the Egyptian conflict. A video shot by Cooper for CNN's AC360 can be seen on this link. Cooper was able to keep his small Flip video camera recording, as he was escaping from his attackers. While Cooper was able to broadcast his reports and fly back to New York, many other journalists have not been as lucky. Some have been jailed, brutally beaten, stabbed or shot, their equipment destroyed, or worse - killed.

The large, conspicuous shoulder mounted video cameras have quickly been replaced by low profile gear such as the miniature Flip video cameras. Laptops are being replaced in the field by iPhones and other cell phones which can transmit still images, audio and video, and update blogs, Twitter and Facebook accounts.

Fresh from the Atlanta set of House of Payne, the award-winning actress was a vision in a cream colored tuxedo when we attended a concert performance by Marva Hicks in Pat Holley’s Me and Caesar Lee at the Triad Theatre in New York earlier this month.

“It’s been really hair raising,” said Burse. “I can’t give too much away until they start the new season. She’s in a very interesting storyline. I can only urge you to tune in because many eyebrows will be raised.”

Click