Knicks point guard Jeremy Lin is a restricted free agent this off-season. Should he stay with the New York Knicks? Writers from the Tribune Co., which owns the Los Angeles Times offer their opinions.
Asian American actors are cast in only two percent of the roles in Broadway and major Off Broadway productions according to new data released by the advocacy group, the Asian American Performers Action Coalition.
The two percent number is dismal. The data disclosed that of the 6,639 total roles cast in the past five theater seasons, only 54 Broadway parts went to Asian American actors, and 100 Asian American actors got work at nonprofit companies.
Asian American Performers Action Coalition advocates point to these statistics as proof that there is negligible representation of Asian Americans on stage, and a serious lack of true diversity.
Asian Americans are New York City's fastest growing ethnic group, currently comprising 12.9 percent of the population.
More than 400 people, mostly performers attended the RepresentAsian conference at Fordham University on Monday February 13, 2012 to listen to a roundtable discussion about the topic moderated by Tony Award-winning playwright David Henry Hwang (Chinglish, M.Butterfly) and 17 other members of the theatrical community.
Theatre industry veterans at the round table discussion included Broadway director Bartlett Sher, Vineyard Theatre's Doug Aibel, playwright Douglas Carter Beane, producers Nelle Nugent and Stephen Byrd, and Actors' Equity boss Mary McColl.
Related:
NPR's Randy Gener covers the RepresentAsian conference
May 28 2012
Harvard Associate Professor Miaki Ishii and her colleagues at Harvard University are studying Earth's inner core, approximately 1,800 miles beneath the surface. The research using seismic data is making waves in the scientific community and beyond.
New York Times writer Natalie Anger reports. (The New York Times online offers a digital subscription service, you may need to sign up to view this report.)
What’s Going On? Everything, All at Once
By Ben Fong-Torres
MAY 8, 2022
With “Like a Rolling Stone: The Life and Times of Ben Fong-Torres” the documentary about me, now out today and streaming merrily along on Netflix, I’m officially in the film industry.
Actually, that’s been the case since last June, when the documentary, which stole its title from a popular column at Asian Connections created by director Suzanne Joe Kai's son Mike when he was 14, premiered at the Tribeca Film Festival in Manhattan.
In the months since, the film, which was produced, written and directed by Suzanne, screened at various other festivals, picked up awards, including a Critics Choice honor, a 2022 Nomination by the Writers Guild of America for Best Documentary Screenplay, a Best Music Film Award at the Newport Beach Film Festival, the Audience Award from the Asian American Film Festival in San Diego, and scored more than 112 press reviews and mentions (so far) - all quite positive reviews.
And
I
find
myself
mingling
with
movie
people.
In
March,
I
attended
the
premiere
of
“Everything
Everywhere
All
at
Once,”
starring
Michelle
Yeoh,
at
the
Castro
Theater
here
in
San
Francisco.
Our only previous connection was at a Lunar New Year parade, in 2018, when she was the glamorous grand marshall and I was co-anchor of KTVU’s broadcast.
From a distance, we waved at each other. Or maybe she was just waving to her fans.