The Year of Sheltering Dangerously
By Ben Fong-Torres
Well, hasn’t THIS been a fun 365?
As we approached the anniversary of the shelter-in-place orders for the San Francisco Bay Area, on March 16, I thought of some of the changes we’ve been through.
In February, our calendar was packed with restaurant dinners and a large, loud gathering at Harbor Villa, saluting our friend, the civil rights attorney Dale Minami.
And there was my 24th time as co-anchor of the Chinese New Year Parade, on KTVU. The Year of the Rat. Indeed.
Early in March, we had more restaurant get-togethers, including dinner at the House of Prime Rib (almost as hard to get into as Hamilton) and a family luncheon for Chinese New Year at the stellar dim sum restaurant, Yank Sing. One evening, I went to the dive bar, El Rio, for the monthly jam staged by Los Train Wreck, and did my usual, a parody of a Dylan classic, “Rainy Day Women 12+35,” with lyrics I ripped from the headlines:
They’ll stone you when you come to see the band
And make mistakes, like shaking people’s hands
Los Train Wreck’s easy going, and all they ask:
Is when you’re talking with them, use a mask
And you will not feel so all alone
Everybody must get stoned!
On March 13th, I went to the Record Plant, the fabled studio in Sausalito, to be interviewed for a documentary about the Plant.
Just three days later, on the eve of St. Patrick’s Day, this most festive of towns was...
February 8, 2021
A Must See documentary is coming to virtual theaters February 12!
RUTH - Justice Ginsburg In Her Own Words - is directed, written and produced by Academy and Emmy award winning filmmaker Freida Lee Mock.
To celebrate Women's History Month, Starz is premiering this inspiring film on Monday, March 1 at 9 PM EP/PM.
Mark your calendars! More release details coming soon!
Ben Fong Torres
February 22, 2020
Last year, just about this time, I lost my Radio Waves column, soon after the San Francisco Chronicle brought in a new arts and entertainment editor. I’d been writing it every other Sunday for 15 years (plus another three-year stretch earlier on, before I took a break to publish a couple of books).
He gave me a reason that made no sense. Radio Waves wasn’t getting enough clicks on the digital side. But the Chronicle never featured the column on its sites. Readers had to search my name, or drill through the TV and movies windows to, with luck, find Radio Waves.
My readers found me the old-fashioned way, but like so many major papers, the Chronicle is going new-fashioned, trying to drive readers online, where the advertisers are.
The new editor was open to my doing pieces on media in general; on music; on my life and times in music and broadcasting. I thought that would make for a decent column. But he asked me to pitch him for every article.
I had no interest in becoming a freelancer, especially given the paltry fees doled out to non-staffers. Fifteen years of being underpaid was quite enough.
I moved on, accepting a consulting gig with the Music City Hit Factory, a hub for musicians and fans, encompassing, in one building, a hostel, a music school, a suite of rehearsal spaces and recording studios, performance spaces and cafes, and, throughout, exhibits celebrating the history of San...
Fears for Tears: Turning a Memoir into an Audiobook
By Ben Fong-Torres
“In the funny parts, laugh. In the sad parts, go ahead and cry.”
That was advice I got, on the eve of my recording sessions for an audiobook version of my memoirs, The Rice Room, from Susie Bright.
Susie is a producer and personality at Audible, the leading producer of audiobooks, and she’s done her share of laughing and crying.
So when Audible contracted me to turn two of my books – Willin’, about the band Little Feat, and The Rice Room– she was on the case.
I’d never recorded a book before. Public speaking? Sure. Radio DJ? That’s moi. Voice work for radio and TV shows? No problemo.
But audiobooks are a whole ‘nother world. First, it’s long-form. A radio DJ show is a bunch of bits; a radio or TV program, or a podcast, involves segments that might add up to an hour.
A book? Think ten hours. And, as I learned, it takes about double that time to record enough, after editing, to get those ten hours.
The editing is immediate, with a director, Jesse, listening and directing by Zoom from Los Angeles. Also listening is Miik, the engineer, who’s in a control room, across from me. I’m in a small announcer’s booth (which seems only right, since I’m a small announcer).
While I’m reading, off an iPad on a music stand, the two men catch every error, every stumble, every extraneous noise, whether it’s foot...
December 15, 2020
Its a spin-off of the G.I. Joe series, with the central character of the masked character Snake Eyes. Henry Golding is playing the leading role of Snake Eyes!
From his breakout role as a romantic lead in "Crazy, Rich Asians" Golding is now starring as an action star in "Snake Eyes."
Originally scheduled for release on March 27, 2020, the release date has been pushed a few times and is now scheduled for October 22, 2021 due to Covid-19. Fans may have a double treat. It has been reported that there may be a follow on movie in the works, with Henry Golding reprising his lead role as Snake Eyes. Hoping that movie theaters will be open by then, the film is reportedly made for theaters with IMAX, RealD 3D, and Dolby Cinema.