Richard Wong and writer H.P. Mendoza, the award-winning team that brought you the infectious, quirky coming-of-age tale Colma: The Musical, return to the Asian American International Film Festival (AAIFF’12) with their fourth collaboration, Yes, We’re Open, a raunchy sex comedy starring Lynn Chen (Saving Face), Parry Shen (Better Luck Tomorrow), Sheetal Sheth (Looking for Comedy in the Muslim World) and Kerry McCrohan, which screens at Clearview Chelsea Cinemas, 260 W. 23rd St, in New York, on August 4, 2012 at 7pm. Click here for tickets.

Set in the San Francisco Bay Area, Yes, We’re Open follows Luke (Parry Shen) and Sylvia (Lynn Chen) who think of themselves as a modern couple – always in the know and open to new experiences. Enter Elena (Sheetal Sheth) and Ronald (Kerry McCrohan)a provocative polyamorous couple that challenge Luke and Sylvia’s status in their circle of friends and with each other. With temptation right around the corner, Luke and Sylvia must figure out where they really stand on love, sex, and honesty. Yes, We’re Open takes an intimate look at the unconventional world of San Francisco relationships, where promiscuity and fidelity aren’t always mutually exclusive.

The film also features Tasi Alabastro, Dave Boyle (Surrogate Valentine), H.P. Mendoza (Fruit Fly: The Musical

Award-winning composer/lyricist Timothy Huang (The View from Here, And the Earth Moved) has launched a Rockethub.com crowd funding campaign for a workshop of his latest passion project, a new musical called Costs of Living.

Huang was inspired to create Costs of Living after reading Night and Day, an article which appeared in the New York Times in 2009, that tells the story of two immigrant cab drivers who take opposite shifts off the same medallion.

While the day shift driver (Eng) encounters successes, his night shift partner (Chin) continues to encounter obstacles until the two find themselves on opposite sides of an ever widening gap and in a dangerous escalation that leaves one dead and the other brutalized.

It is, at its heart, a human story, an American story and a cautionary tale lending voice to the unspoken dangers of freedom without social consciousness or oversight. It is a story of love and country, resilience and responsibility, the price of freedom and the costs of living.

“The last ten years of my career have been about finding ways to make the things that move me move other people,” said Huang. “And with tremendous support and feedback from the Asian American community and the BMI Musical Theatre Workshop (where this project originated) I feel like Costs of Living has found a unique balance.